Strangelight Audio

Quantize Pitch

Snaps pitch into a key and scale on this branch of the patch.

Scale

Chooses the scale used to constrain incoming notes.

Changes the set of notes to which the input can be moved.

Chromatic Keeps all twelve semitones in each octave.

Major Uses the seven-note major scale: 1, 2, 3, 4, 5, 6 and 7.

Minor Uses the natural minor scale: 1, 2, ♭3, 4, 5, ♭6 and ♭7.

Pentatonic Uses the five-note major pentatonic scale: 1, 2, 3, 5 and 6.

Blues Uses the minor blues scale, including its characteristic flattened fifth.

Dorian Uses a minor mode with a natural sixth.

Mixolydian Uses a major mode with a flattened seventh.

Harmonic Minor Uses natural minor with a raised seventh.

Melodic Minor Uses minor with a raised sixth and seventh.

Phrygian Uses a minor mode with a flattened second.

Lydian Uses a major mode with a raised fourth.

Locrian Uses a minor mode with a flattened second and fifth.

Whole Tone Uses six notes separated by whole steps.

Pentatonic Major Uses the five-note major pentatonic scale: 1, 2, 3, 5 and 6.

Pentatonic Minor Uses the five-note minor pentatonic scale: 1, ♭3, 4, 5 and ♭7.

Root

Sets the root pitch class of the selected scale.

Transposes the selected scale so this pitch class becomes its root.

C Uses C as the root pitch class.

C♯ Uses C♯ as the root pitch class.

D Uses D as the root pitch class.

D♯ Uses D♯ as the root pitch class.

E Uses E as the root pitch class.

F Uses F as the root pitch class.

F♯ Uses F♯ as the root pitch class.

G Uses G as the root pitch class.

G♯ Uses G♯ as the root pitch class.

A Uses A as the root pitch class.

A♯ Uses A♯ as the root pitch class.

B Uses B as the root pitch class.